In my last blog post about quotes, I talked about how a writer’s compensation typically increases over time, in the same way most other professionals slowly build a salary history over the length of their careers through increasing levels of expertise and proven results.
Today, let’s break down how a writer actually gets paid out when they sell a script.
At the very beginning of most entertainment contracts, there’s an important section called the conditions precedent. It tends to get overlooked because there are way more interesting sections like the compensation, credit, and perks like premiere tickets, but the conditions precedent is a critical area that shouldn’t be ignored.
In order to make sure everyone’s on the same page for these blog posts, I think it’s important to outline some definitions that will be used frequently in my posts. A lot of these are taken from the Writers Guild of America‘s (WGA’s) Minimum Basic Agreement (MBA), with some other thrown in. Please keep in mind these are just general definitions and many will be elaborated upon in later blog posts.